1/6/2024 0 Comments Bhs itheater ilc![]() ![]() ![]() The civilization of ancient Egypt, extremely distinctive in its forms, refers us to the ancient past, but the material and spiritual legacy of this culture is also part of our modernity, dynamically variable and yet surprisingly dura-ble in many paradigms of a stereotype. The title issue – the phenomenon of the so-called Egyptomania, is an interesting research topic. Demonstrating that the establishment of ancient Egypt as a distinct category of historical knowledge was one of Renaissance humanism's great accomplishments, Curran's peerless study will be required reading for Renaissance scholars and anyone interested in the treasures and legacy of ancient Egypt. In doing so, he paints a colorful picture of a time in which early moderns made the first efforts to decipher Egyptian hieroglyphs, and popes and princes erected pyramids and other Egyptianate marvels to commemorate their own authority. Curran vividly recreates this first wave of European Egyptomania with insightful interpretations of the period's artistic and literary works. Patrons, artists, and spectators of the period were particularly drawn, Curran shows, to Egyptian antiquity and its artifacts, many of which found their way to Italy in Roman times and exerted an influence every bit as powerful as that of their more familiar Greek and Roman counterparts. Fascination with ancient Egypt is a recurring theme in Western culture, and here Brian Curran uncovers its deep roots in the Italian Renaissance, which embraced not only classical art and literature but also a variety of other cultures that modern readers don't tend to associate with early modern Italy.
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